Argentina as a country made of art and inspiration, they have a rich television culture.
We are going to see which are the best and famous ones.
We are going to see which are the best and famous ones.
EL JARDÍN DE BRONCE
The bronze garden tells the story of the architect fabian danube and his tireless struggle to find his daughter, who disappeared in the most mysterious and strange way. With almost no answers or explanations from the police, fabian embarks on his own investigation to the point of being his obsession. All this in the atmosphere of the argentine capital, Buenos Aires. everything will change in danube's life, especially his personality and the way he sees reality.
EL MARGINAL
Miguel Palacios is a policeman who is imprisoned in a prison lost in the middle of nowhere. One day, a judge summons him to help solve the kidnapping of his daughter. To do so, Miguel must change his identity to infiltrate the San Onofre prison in Buenos Aires and try to find information about the gang that operates in the prison. According to the judge, this group is responsible for the kidnapping of his daughter and Miguel is the only one who can find the truth. In this way, the policeman becomes Pastor Peña and infiltrates a world where the slightest mistake can end his life.
EL PUNTERO
The Pointer tells the story of a politics operator. A man who expresses his dreams in a particular way through the political and social work of a neighborhood. He manages the will and destiny of the neighbors he represents and in the place he has taken over. The pointer is a personal story that narrates the path taken by frustrations and yearnings that are not fulfilled. El Puntero is Pablo Aldo Perotti and he feels that politics has not returned to him everything he gave him in more than thirty years of militancy. Today, the pointer says he wants to be mayor of his city.
LOS SIMULADORES
The serie is based on a group of four partners or colleagues who are dedicated to the business of simulation, operating since 1989 and solving the problems and needs of their customers through what they call "simulacrum operations", which are usually to deceive those who generate the problems of their customers, whether bosses, criminals, wives, widows, unscrupulous merchants, etc..
They carry out a process based on the scientific method, the discovery of the problem, hypotheses, affirmations and refutations, investigations of the parts both of the client and of the part that gives the problem, and always look for its conflictive point. They use tactics and methods typical of law, psychology, theatre, sociology, etc.
The simulators' motivation is not altruistic, they do not intend to change the world but to give a useful service to people; they normally charge their clients exactly double the cost of the operation, for logistics and labor, something that Santos timely informs the client, except in cases where the plan contemplates the payment of the operation, and they also commit their clients to help them in future simulation operations.
They carry out a process based on the scientific method, the discovery of the problem, hypotheses, affirmations and refutations, investigations of the parts both of the client and of the part that gives the problem, and always look for its conflictive point. They use tactics and methods typical of law, psychology, theatre, sociology, etc.
The simulators' motivation is not altruistic, they do not intend to change the world but to give a useful service to people; they normally charge their clients exactly double the cost of the operation, for logistics and labor, something that Santos timely informs the client, except in cases where the plan contemplates the payment of the operation, and they also commit their clients to help them in future simulation operations.
OKUPAS
A conflictive urban narrative that detailed in detail the harsh context of those who live in squats. Okupas, directed by Bruno Stagnaro, tells the story of Ricardo (Rodrigo De La Serna), a middle-class boy and three casual friends, El Pollo (Diego Alonso Gómez), Walter (Ariel Staltari) and El Chiqui (Franco Tirri), who have in common an old house that has come to nothing. There they will take refuge and live the most varied adventures, from their problems with drugs to loyalty and love for friends.
UN GALLO PARA ESCuLAPIO
Nelson, a humble boy, travels from the inside bringing a fighting cock to his brother. Not being able to meet him, he begins his search for the difficult scenario of the Buenos Aires conurbation. Following the clues about his whereabouts, he links up with Chelo, a cockfighter and head of a gang of asphalt pirates. Soon he will begin to suspect that this character is linked to the disappearance. Determined to discover what happened to his brother, the young man infiltrates Chelo's gang and the environment of the disappeared. The outbreak of a violent war between rival gangs will change the whole landscape for Nelson, and so his path of discovery will become the beginning of a new journey that will change him forever.